Showing posts with label philippines. Show all posts
Showing posts with label philippines. Show all posts

Wednesday, November 19, 2008

Concerto NOW SHOWING!!!



Gorietta 4, Cinema 4


12:50 PM
3:15 PM
5:40 PM
8:05 PM
10:30 PM LMF
Price: 130



Indie Sine, Robinson's Galleria, Cinema 8

1:00 PM
3:30 PM
6:00 PM
8:30 PM LMF


Admission Price: P141

SM Megamall

Tuesday, October 7, 2008

Concerto Reviews


I am really amazed at the amount of feedback online for the Cinemalaya Festival. I hope this interest for independent films will continue and really empower an independent film scene in Manila.






Re-posting some selected reviews on Concerto:

http://cbcpcinema.blogspot.com/2008/08/concerto.html

Concerto
Cast: Jay Aquitania, Meryll Soriano, Shamaine Buencamino, Nonoy Froilan, Elijah Castillo, Alyssa Lascano, Yna Asistio; Director: Paul Alexander Morales; Producer: Digital Spirit Production; Screenplay: Paul Alexander Morales; Cinematography: Regiban Romana; Editor: Laz'andre; Music: Jed Balsamo;

Running Time: 90 minutes; Location: Davao; Genre: Drama
Technical Assessment: 4
Moral Assessment: 4
Rating: For viewers 13 and above

Sa pagtatapos ng Ikalawang Digmaang Pandaigdig, may isang pamilyang lumikas at napilitang mamundok sa Davao. Malapit ito sa kampo ng mga Hapon. Si Ricardo (Nonoy Froilan), ang padre de pamilya, ay dating puno ng militar na pinahirapan ng mga Hapon. Upang makapamuhay nang mapayapa, kinaibigan ng kanyang asawang si Julia (Shamaine Buencamino) ang ilang mga Hapon na nasa malapit na kampo. Ang kanilang anak na lalaki na si Joselito (Jay Aquitania) ay marunong magsalita ng Hapon kung kaya't naging madali sa kanya ang pakikipag-kaibigan sa mga ito. Sapagkat may likas na angking talino sa musika, naging labis ang kasiyahan ng pamilya nang muli nilang makuha ang naiwan nilang piano. Ang mga anak na babae na sina Nina (Yna Asistio) at Maria (Meryll Soriano) ang siyang nagsilbing taga-aliw sa mga Hapon bilang mga pianista. Isang concerto ang ginanap sa kanilang tahanan para sa mga kaibigang Hapon bago tuluyang pumutok at matapos ang digmaan.

Maayos at malinis ang pagkakagawa ng Concerto. Tunay sa pamagat nito, talagang para kang nanonood ng konsiyerto sa pelikula. Nakakaaliw ang musika na talaga namang nagpatingkad sa isang kuwentong-digmaan. Mahusay ang pagkakalahad ng kuwento. Payak ngunit malaman at punong-puno ng damdamin. Pawang walang itulak kabigin sa galing at husay ang mga nagsiganap. Natural ang kilos ng lahat at pawang mukhang mga hindi umaarte. Totoong-totoo pati ang mga karakter na Hapon. Maliit man o malaking eksena ay nagawang kapani-paniwala ng direktor. Sana'y mas marami pa ang makapanood nito sa mga sinehan at maging isang instrumento upang buhayin ang naghihingalong pelikulang Pilipino.

Ipinakita sa Concerto ang kahalagahan ng pagkakaroon ng isang buo at nagkakaisang pamilya sa gitna ng unos at giyera. Maraming pagsubok ang maaring pagdaanan sa iba't-ibang panahon pero ang wagas na damdamin at matibay na paniniwala sa Diyos ang mga subok na sandata upang maalpasan anumang hirap at pasakit. Kapuri-puri ang isang pamilyang sabay-sabay na nagdarasal sa gitna ng kaguluhan ng paligid. Kitang-kita sa pelikula kung paanong ang pakikipag-kapwa at pananampalataya ay nakatulong ng labis sa pagpapanatili ng kapayapaan sa gitna ng digmaan. Tunay na walang mabuting naidudulot ang giyera. Ngunit gaya ng ipinakita sa pelikula, ang digmaan ay isang pagkakataong nagpapalabas ng pinakamabuti o pinakamasama sa tao. Maaaring maging instrumento ang giyera upang mas mapabuti at mapatibay ang isang pamilya, ang pagkakaibigan. At isa rin ang sining at musika sa maaaring magtawid sa tao sa anumang paghihirap. Ang sining at musika ay biyaya ng Diyos na marapat lamang gamitin sa kabutihan at maging simbolo ng Kanyang kadalikaan sa panahon man ng digmaan o kapayapaan.


http://noholdsbarred.multiply.com/reviews/item/9


Category:Movies
Genre: Drama
Title: CONCERTOGenre: Historical/ Biographical DramaRating: Five out of Five
Among the six competing films that I have seen, this is the best.

“Concerto” is based on the story of director’s (Paul Alexander Morales) family.The setting is World War II at Davao city, which was also greatly affected. This was where the rich family goes to living in simplicity and fighting to survive the Japanese occupation, their father (Nonoy Froilan) being a rebel against the Japanese, and their older sister married to an escaped guerilla. One of the children (Jay Aquitana) befriends the occupants and somehow puts the family, and the community’s status at extremes–either for the good or for the bad. The older sister (Meryl Soriano) tries to teach her younger sister (Yna Asistio) about ‘befriending’ young male foreign soldiers. And the mother (Shamaine Buencamino), trying to be as compassionate as ever to the unrestful neighbors even to the Japanese occupants despite the fact that they had caused her leg injuries.How does the war end for them when all the things they do don’t give them of being safe after the war ends?

This film actually comes to me as a local counterpart of “The Sound Music”, but not in a negative way, knowing that such story really happened in 1940s.I was extremely touched and awakened by the movie. Just the fact that the world still does not know what happened to Davao the day that the Pearl Harbor got attacked was already surprising.The film simply showed that life must go on, even on the toughest of adversities or the risk of losing the people and things you loved the most. One must be strong for the other, so he or she could be the anchor of strength for the family.Through the course of the film, there were times I was actually worried for their life, forgetting that it was all in the past. In the moments when they were praying, I also was praying inside my head and it was really a fascinating experience, to get carried away.

If there was an award in the Cinemalaya 2008 for the best ensemble cast, I would nominate this film. The entire cast actually felt like a real and convincing family to me.Jay Aquitana was really good at speaking Niponggo, as if he spoke the language for a very long time. It shows that he actually understood every Japanese word that he said.I really appreciate the fact that Meryl Soriano actually plays the piano and that she plays it well. This talent of hers were put to good use in the film.It was also a moving moment when Shamaine Buencamino and Yna Asistio sang together a Kundiman song for the Japanese. Both actually have good singing voice quality. On a personal note, this song that they used was actually my competing piece when I participated in Kundiman competition in High School.I found it cute and touching that young Alyssa Mae Lescano sang beautifully “Pilipinas Kong Hirang” in English version. Garry Lim managed to be the annoying and suck-up-to-the-Japanese neighbor.The execution of the film was very well done. The choice of music, cinematography, effects and casting were all topnotch. If there was one thing in the film that felt like an ingrown nail on a well-pedicured feet, I would say it was the inconsistency in the use of the language in the film. At the beginning of the film, Shamaine Buencamino and the neighbors were speaking partly in Bisaya and tagalog, with matching accents. But towards the end of the film, language became purely tagalog and the accent was lost.

Altogether, it really is a great film. If these were distributed in DVDs and VCDs, I would definitely get a copy. It’s shelf life would be nearly immortal, and I’m sure it’s something we would truly pass on to the subsequent generations. This film rightfully complies with the theme of Cinemalaya 2008, “Anong kwento mo?” It is truthful to the history and to its audience.I give it a two-thumbs-up.(Watched Fri., 18th July 2008, CCP TNA 9:00PM Gala)

http://pinoyparazzi.com/100/carballo.html

Concerto, magandang talunan!

By RONALD C. CARBALLO

Matagumpay na namang nagwakas ang Cinemalaya Film Festival 2008 sa pamamagitan ng simple, ngunit credible namang awards night. Deserving naman ang mga nagwagi, lalo na ang mga ni-review rin naming Jay ni Francis Pasion na siyang nag-Best Picture na nagbigay rin Best Actor trophy kay Baron Geisler; si Chris Martinez bilang Best Director at Best Screenplay para sa kanyang 100, kung saan tumama rin ang choice namin at nagwagi si Mylene Dizon ng Best Actress at si Eugene Domingo naman ang Best Supporting Actress.

May isa pang magandang pelikulang gustung-gusto namin, ngunit wala ni isa mang napanalunan. Well, iginagalang naman namin ang desisyon ng mga hurado... ito ang pelikulang Concerto ni Paul Alexander Morales, na kanyang first film directorial job.

Ang Concerto ay tungkol sa isang pamilya sa Davao na naipit sa gitna ng digmaan ng Hapon at Amerikano nung 1941. Pinagbuklod sila ng kanilang pagmamahal at pananalig sa Diyos, habang nalagpasan ang pagmamalupit at pagtatraydor ng mga Hapon sa pamamagitan ng tunay na pagpapatawad, na naging daan ang kanilang husay sa pagtugtog ng piano at pag-awit.

Sa biglang tingin, may mga nagsabing parang Oro, Plata, Mata ni Peque Gallaga nung early 80's ang pelikula, ngunit tahasan naming masasabing di hamak na mas maganda at mas pelikulang-peikulang ang Concerto ni Morales. Maraming mga makatotohanang elemento ang Concerto na wala sa Oro, Plata, Mata, tulad ‘yung ipinakita rito na may isang eskwelahang tinuturuan ng mga Hapones ang mga batang Pinoy ng Japanese Language, kaya dalang-dala ni Jay Aquitania ang papel ng nag-iisang lalaking anak sa piling ng mga babaeng kapatid. Nagawa niyang makipagkaibigan sa mga Hapon dahil marunong siya ng wika, kahit sabihing pinahirapan pa ng mga Hapon ang kanyang ama at buong pamilya.

Well-researched at well-written ang pelikula na puno ng puso na kulang din sa Oro, Plata, Mata, kaya kahit hindi nagpapaiyak, maiiyak ka lalo sa mga eksenang nabubuo na ang friendship nila sa mga Japanese soldiers dahil itinuro ng ina na "pakainin at mahalin ang kaaway". Mahusay na naitawid ng writer-director ang mga makatotohanang eksena dahil base ito sa mga tunay na pangyayaring dinanas ng kanyang angkan nung digmaan. Mahusay ang production design ni Gerry Santos at Musical Score ni Joel Balsamo. Hindi matatawaran ang husay ng pagganap nina Sharmaime Centenera bilang nanay; Merryl Soriano at Inah Asistio na introducing dito, bilang magkapatid; at siyempre, si Jay Aquitania. Nakatulong din ng malaki na mga tunay na Japanese ang mga gumanap na sundalo. Kahit hindi mo naiintindihan ang kanilang sinasabi, naitawid ng writer-director ang tamang emosyon sa bawat eksena sa isang hindi masalitang pelikula.

Monday, January 14, 2008

The Ten full-length Entries to Cinemalaya 2008

Ten full-length entries to compete in 2008 CinemalayaTen full-length entries to compete in 2008 Cinemalaya. The ten finalists for the 2008 Cinemalaya Philippine Independent FilmFestival (full-length feature category) have been chosen recently bythe Cultural Center of the Philippines.

They are: 100 by ChrisMartinez, 1434456 by Emmanuel Dela Cruz, Concerto by Paul Alexander Morales, Antiparang Basag by Edith Asuncion, Baby Angelo byJoel Ruiz and Abi Aquino, Brutus by Tara illenberger, My Fake AmericanAccent by Onnah Valera, Huling Pasada by Paul Sta. Ana, Jay by FrancisXavier E. Pasion and Ranchero by Michael Christian Cardoz.

100 is about a stern, uptight and exacting woman with a terminalillness who tries to accomplish a list of 100 things to do before shedies. Her tasks vary from the simple to the complicated, from thepractical to the mundane, from the ordinary to the extraordinary. Inthe process, she accepts the truth that even if death is somethingpersonal, dying never is.

1434456 is the story of Ranjeet Singh, also fondly called "JimmyPaybsiks," a 49-year old Punjabi widower. He faces the challenge offinding a more permanent sense of home and country for his childrenwho find themselves growing up more and more assimilated in theFilipino way of life. Set in contemporary Manila, 1434456 examines thecolorful stories and inevitable struggles of a migrant sector rarelygiven a second look or even a thoughtful pause in our societythat ofour Indian neighbors.

Concerto is about how, in the last part of World War II, a special piano concert is held in the forests of Davao. In these boondocks, a displaced Filipino family becomes acquainted with a group of Japanese officers, similarly camped nearby. Based on true stories from the director's family, Concerto celebrates a family whose reverence for life, expressed through their love of music and friendship, can survive even war, and shows how beauty and compassion can grow in even the harshest of conditions.

Antiparang Basag tells of one woman's encounter with four octogenarians, escaped from a nursing home, and the few hours she spends helping them pursue their quest to fulfill their simple wishesin life. The funny and heartwarming situations carry her to see thedifferent hues of life and death and the value of every moment.

Baby Angelo centers on an investigation that ensues when an abortedfetus is found in the dumpster of a run-down apartment complex. Thelives of the tenantsa reclusive old man with curious ramblings, alandlord with overzealous thirst for justice and a young couple whosepast threatens to unravel their marriageare suddenly exposed in thehunt for the perpetrator of the baby's death.

Brutus tells the tale of two Mangyan children, hired by illegalloggers to smuggle wood from the mountains of Mindoro, as they embarkon a dangerous journey to deliver the goods to the lowlands. In theprocess, they discover a world run by the greed of men, a worldgoverned by ideologies that bring about the armed conflict thatplagues the Mindoro highlands, the home of their own people.

My Fake American Accent is a slice-of-life workplace comedy followingthe lives of technical support call center agents in the span of sixmonths. Speaking with a fake American accent is a prerequisite for thejob. This ensemble comedy is an inside look into the maddening,sleep-deprived, caffeine-fuelled lives of those who ply their trade inthe call center industry.

Huling Pasada follows the creative process of Ruby, a prolific writer,abandoned wife and protective mother. She writes about Mario, a taxidriver and father figure to a street child. As she tries to resolveMario's story, she seeks refuge in her own creative output and theline between reality and fiction is blurred. Mario's past becomesentangled with her own inevitable future.

Jay is the name of the two protagonists in the film, one is living,the other dead. The living Jay is producing a documentary of the deadJay, a gay teacher who was brutally killed. As Jay recreates andexamines the life of his subject, his own life is affected when heunravels his subject's hidden life and secret love.Ranchero is the story of convicts who serve a special role inside thejail-they prepare the meals everyday. But in a jail where some inmatessee no reason to continue living, what is the role of food? Is thefood's role to extend life or to prolong the pain of those who don'twant to live?

The full-length feature film category finalists were selected from atotal of 194 entries submitted for the 2008 Cinemalaya. As finalists,they will receive an initial seed investment of P500,000 fromEconolink Investments Inc. The final winning entry will be given anadditional grant of P200,000 plus the Cinemalaya Balanghai trophyduring the awarding ceremony on July 20, 2008 at the Cultural Centerof the Philippines. All the films will be screened during the 2008Cinemalaya Film Festival on July 11 to 20, 2008 at the CCP.Now on its fourth year, Cinemalaya is presented by the CinemalayaFoundation, Cultural Center of the Philippines, University of thePhilippines Film Institute and Econolink Investments Inc. Cinemalayais an all-digital film competition aimed at discovering new Filipinofilmmakers.For more information, please call the CCP Film Division at tel. no.8321125 loc. 1705.